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CLOG DANCING
During the Industrial Revolution, the working classes of
northern England flocked to work in coal mines, pits and cotton
mills to make a living. Not the most likely place for the birth
of a traditional pastime? Well actually, yes. It was among these
cobbled streets that the English tradition of clog dancing was
born.
Although the clog dancing of northern England that we
recognise today was started here, it was long before this that
dancing in clogs began. It is thought that ‘clogging’ came to
England as early as the 1400s. It was at this time that the
original completely wooden clogs altered and became leather
shoes with wooden soles. In the 1500s, they changed again, and
separate wooden pieces were used to make the heel and toe. This
early dancing was less complicated than the later ‘clog
dancing’.
Clog dancing is most notably associated with the 19th century
Lancashire cotton mills, with towns like Colne. It is here that
the term ‘heel and toe’ was first used, derived from the changes
made to the clog in the 1500s. Coal miners in Northumbria and
Durham developed the dance too.
The clog was a comfortable and cheap form of footwear, with
alder soles, ideal for these industrial workers in the Victorian
period. It was especially important to have this hardwearing
footwear in the cotton mills, because the floors would be damp,
to create a humid environment for the spinning process.
Initially, the dancing was started simply to alleviate
boredom and warm up in the cold industrial towns. It tended to
be men that would dance and, later, as its popularity grew to
its peak between 1880 and 1904, they would compete
professionally in music halls. The money awarded to winners
would be a valuable source of income for the poor working
classes. There was even a World Clog Dancing Championships,
which Dan Leno won in 1883.
Women also participated, though, and later their dancing,
too, became popular in music halls. They would also dress up
colourfully and dance in the villages, carrying sticks to
represent the bobbins in the cotton mills. Dancing clogs (night
/‘neet’ clogs) were made from ash wood, and were lighter than
those worn to work. They were also more ornate and brightly
coloured. Some performers would even nail metal to the soles so
that when the shoes were struck, sparks would fly!
The age of the clog also added a new dimension to brawling.
In the illegal clog fighting or ‘purring’, men would wear clogs
on their feet and violently kick each other, while otherwise
being entirely naked! This would be to try and settle
disagreements once and for all.
Other entertaining performers at the time were the canal boat
dancers. Along the Leeds and Liverpool canal, these men would
keep time with the sounds of the bolinder engine. They would
compete with the clog dancing miners in the pubs lining the
canals, and frequently win. Onlookers would also be impressed by
their table-top dancing, managing to keep the ale in the
glasses!
Clog dancing involves heavy steps which keep time (clog is
Gaelic for ‘time’), and striking one shoe with the other, creating
rhythms and sounds to imitate those made by the milling machinery.
During competitions, judges would sit either beneath the stage or
behind a screen, allowing them to mark performances purely on the
sounds made. Only the legs and feet move, the arms and torso
remaining still, rather similar to Irish step dancing.
There were various styles of clog dancing, like
Lancashire-Irish, which was influenced by the Irish workers that
migrated into the mills of Lancashire. The Lancashire style also
tended to make more use of the toe in the dance, whereas Durham
dancers used more heel. Other styles included the Lancashire and
Liverpool hornpipes. Early clog dances did not include ‘shuffles’,
but the later clog hornpipe, influenced by the hornpipe stage dance
of the 18th century, did include these steps. In 1880 clog hornpipes
were being performed on city stages all over England. Clog dancing
could be performed alone or in a dance troupe, such as the Seven
Lancashire Lads, which the legendary Charlie Chaplin joined in 1896.
As the twentieth century dawned, clog dancing in the music
halls declined. Its association with the lower classes and
undesirable aspects of society, like betting, became more apparent,
particularly in contrast to the more refined theatre experience. It
was also being replaced by the more dazzling tap dancing, which had
developed in America at the end of the 19th century. It was a
mixture of clog, Irish step and African dance. There was, however,
renewed interest in folk dancing after World War II, leading to
steps being revised and taught again.
Today, although clog dancing is certainly not as popular as
it was in the 1800s, clog makers still exist and performances can
often be seen at folk festivals like Whitby. Skipton, north
Yorkshire, also hosts a festival of English step dance every July,
helping to keep the tradition alive.
© L.C. Struthers Historic UK Ltd.
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