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MORE NURSERY RHYMES
In our
earlier article concerning
children’s nursery rhymes, we outlined how many of the seemingly
childish playground chants appear to have their roots based in
historic fact. In the previous article we attempted to provide some
background as to the likely content of Little Jack Horner’s pie, the
possible association of Ring a Ring O'Roses with the horrors of the
1665 Great Plague, why hush a-bye baby was rocked in the tree-tops
and who the quite contrary Mary was.
We now
attempt to shed light on why they couldn’t put Humpty together
again, the tax implications surrounding that Baa Baa Black Sheep,
and suggestions as to why ‘when the boys came out to play’, Georgie
Porgie ran away. And in addition, why after visiting Gloucester, Doctor
Foster never went there again; the tragic love story surrounding
that most famous Somerset couple Jack and Jill, as well as
suggesting reasons why the weasel goes ‘pop’!

Humpty Dumpty sat on the wall,
Humpty Dumpty had a great fall; All the king’s horses and all the king’s men Couldn’t put Humpty together again
Humpty
Dumpty was not a person at all, but a massive siege cannon that was
used by Royalist forces (the king’s men) during the English Civil
War that raged between 1642 and 1651. During the siege of Colchester
in 1648, the Royalists hauled Humpty Dumpty to the top of the church
tower of St Mary-at-the-Walls, and for eleven weeks Humpty (sat on
the wall and) blasted away at the attacking Parliamentarian
Roundhead troops, defending the town.
Humpty’s great fall came when the church tower was eventually blown
up by the Roundheads, and he couldn’t be put together again as he
had fallen into, and subsequently had become buried, deep in the surrounding
marshland. Without the mighty Humpty Dumpty to defend them, the
king’s men led by Sir Charles Lucas and Sir George Lisle were soon
overrun by the Parliamentarian soldiers of Thomas Fairfax.
Baa Baa Black Sheep, Have you any wool? Yes, sir, yes, sir, Three bags full; One for the master, One for the dame, And one for the little boy Who lives down the lane.
Not
surprisingly this rhyme is all about sheep, and the importance of
sheep to the English economy. Until the late 16th century
the final lines of the rhyme read “And none for the little boy who
cries down the lane.” It was changed to the current version in order
to cheer it up and make it into a song more suitable for children.
In
medieval England, the
wool trade was big business. There was enormous demand for it,
mainly to produce cloth and everyone who had land, from peasants to
major landowners, raised sheep. The great English landowners
including lords, abbots and bishops began to count their wealth in
terms of sheep, with some flocks totalling over 8,000 animals, all
tended by dozens of full-time shepherds.
After
returning from the crusades in 1272, Edward I imposed new taxes on
the wool trade in order to pay for his military ventures. It is
believed that this wool tax forms the background to the rhyme.
One-third of the price of each bag, or sack sold, was for the king
(the master); one-third to the monasteries, or church (the dame);
and none to the poor shepherd (the little boy who cries down the
lane) who had tirelessly tended and protected the flock.
Georgie Porgie, Pudding and pie, Kissed the girls and made them cry; When the boys came out to play, Georgie Porgie ran away.
It is
thought that the ‘Georgie Porgie’ in question was actually the
Prince Regent, later George IV. A tad on the tubby side, George weighed in
at more than 17½ stone with a waist of 50 inches (Georgie Porgie,
pudding and pie), and as such, he became a constant source of
ridicule in the popular press of the time.
Despite his large size, George had also established for himself a
rather poor reputation for his lusty romps with the fairer sex that
involved several mistresses leaving a string of illegitimate
children. When he was 23 he fell in love with the beautiful Maria
Anne Fitzherbert; he was so besotted with her that he persuaded her
to go through with a secret marriage. The marriage would never have
been allowed as Maria was both a commoner, but much, much worse; she
was a Roman Catholic! George later went on to marry
Catherine of Brunswick, whom he despised so much that he even had
her banned her from his coronation. And so George had made both the
women in his life miserable (kissed the girls and made them cry).
George
was well known for his foppish behaviour, and had apparently been at
the rear of the class when badges for courage and bravery were
handed out. That said, he did enjoy watching other people display
these attributes; George was a great fan of bare-knuckle boxing.
During one of the illegal prize-fights that George attended, a boxer
was knocked to floor and subsequently died of his injuries.
Frightened of being implicated, the prince made a very quick exit
from the scene (when the boys came out to play, Georgie Porgie ran
away).
Doctor Foster
Went to Gloucester In a shower of rain He stepped in a puddle Right up to his middle
And never went there again
Although first published in 1844, the origins to this rhyme may date
back more than 700 years, to the time of King Edward I. Edward was
known by several nicknames, a powerful man, over six feet tall he
was often referred to as Longshanks, but he was also recognised as a
clever and learned man and hence earned the title Dr Foster; the
origins of the Foster are lost in time. Not a great fan of the
Welsh, no doubt Edward was visiting Gloucester due to the town’s
strategic position at a major crossing of the River Seven into
Wales.
The story goes that the king arrived during a storm and
mistaking a shallow puddle for a deep ditch steered his horse in
that direction. Both horse and rider became trapped in the mire and
had to be hauled out; infuriated and no doubt embarrassed by the
humiliation, he vowed never to return to the town.

Jack and Jill went up the hill To fetch a pail of water; Jack fell down and broke his crown And Jill came tumbling after.
The
small village of Kilmersdon in north Somerset claims to be the home
of the Jack and Jill rhyme. Local legend recalls how in the late
15th
century, a young unmarried couple regularly climbed a nearby hill in
order to conduct their liaison in private, away from the prying eyes
of the village. Obviously a very close liaison, Jill fell pregnant,
but just before the baby was born Jack was killed by a rock that had
fallen from their ‘special’ hill. A few days later, Jill died whilst
giving birth to their love child. Their tragic tale unfolds today on
a series of inscribed stones that leads along a path to that
‘special’ hill.
Half a pound of tuppenny rice, Half a pound of treacle, That’s the way the money goes, Pop goes the weasel.
This
very popular music hall song could be heard being performed
throughout Victorian London’s many theatres. The origins to the
lyrics however, appear to stem from two possible sources.
One
theory has its origins in the same grimy streets as those Victorian
music halls, from the packed sweatshops of Shoreditch and
Spitalfields that provided Londoners with their clothing. In the
textile industry, a spinner’s weasel is device that is used for
measuring out a length of yarn; the mechanism makes a popping sound
when the correct length has been reached. No doubt during this
highly repetitive and boring work, the spinner’s mind would wander to
the more mundane, only to be brought back to harsh reality when the
weasel went pop.
The
third verse of the same rhyme perhaps suggests an alternative
origin, which is based upon the Londoners use of cockney rhyming
slang;
Up and down the city road, In and out the Eagle, That’s the way the money goes, Pop goes the weasel.
To
“pop” is a London slang word for pawn. Weasel can be traced to the
cockney rhyming slang of “weasel and stoat”, or coat. Even a very
poor Victorian Londoner would have had a Sunday best coat or suit
that could be pawned when times got hard (Pop goes the weasel),
perhaps on cold and damp Monday morning, only to be retrieved on pay
day. The Eagle above refers to the Eagle Tavern, a pub located on
the corner of City Road and Shepherdness Walk, in the north London
district of Hackney. Although the usage of the building has changed
over the years, the current Eagle pub dating from the early 1900’s,
proudly sports a plague outlining its association with the nursery
rhyme.
© Historic UK
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